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Domaines formels et représentations dans la composition et l'analyse des musiques électroacoustiques : systèmes dynamiques dans la création musicale assistée par ordinateur
Domaines formels et représentations dans la composition et l'analyse des musiques électroacoustiques : systèmes dynamiques dans la création musicale assistée par ordinateur
Abstract : Some theories and technical approaches used to characterize the computer-assisted composition process are presented. Theories and techniques unusually used in the field of computer music are applied to the numerous problems raised by a musicology of electroacoustic music and its genetic ontology. A critical deconstruction of methods and tools used to characterize musical creation is developed and a novel conceptual tool is exposed, and formalized. The notion of object, which permits a multiscalar reading of the creative process, is described and an adaptation of the traditional electroacoustic toolkit is made neccesary by the object considered as a multiscalar seme. A prototype of a compositional system gives a first answer in order to present complexity.
Keywords :
Computer music
Electroacoustic Music
Cited literature [225 references]
https://hal-upec-upem.archives-ouvertes.fr/tel-01996464
Contributor : Kevin Dahan <>
Submitted on : Monday, January 28, 2019 - 2:08:55 PM
Last modification on : Wednesday, February 26, 2020 - 7:06:13 PM
Document(s) archivé(s) le : Monday, April 29, 2019 - 6:02:50 PM
Contributor : Kevin Dahan <>
Submitted on : Monday, January 28, 2019 - 2:08:55 PM
Last modification on : Wednesday, February 26, 2020 - 7:06:13 PM
Document(s) archivé(s) le : Monday, April 29, 2019 - 6:02:50 PM
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TheseDahan2005.pdf
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