Domaines formels et représentations dans la composition et l'analyse des musiques électroacoustiques : systèmes dynamiques dans la création musicale assistée par ordinateur

Kevin Dahan 1
1 LISAA - Littératures, Savoirs et Arts
Abstract : Some theories and technical approaches used to characterize the computer-assisted composition process are presented. Theories and techniques unusually used in the field of computer music are applied to the numerous problems raised by a musicology of electroacoustic music and its genetic ontology. A critical deconstruction of methods and tools used to characterize musical creation is developed and a novel conceptual tool is exposed, and formalized. The notion of object, which permits a multiscalar reading of the creative process, is described and an adaptation of the traditional electroacoustic toolkit is made neccesary by the object considered as a multiscalar seme. A prototype of a compositional system gives a first answer in order to present complexity.
Keywords : Computer music Electroacoustic Music
Document type :
Theses
Complete list of metadatas

Cited literature [225 references]  Display  Hide  Download
https://hal-upec-upem.archives-ouvertes.fr/tel-01996464
Contributor : Kevin Dahan <>
Submitted on : Monday, January 28, 2019 - 2:08:55 PM
Last modification on : Monday, February 18, 2019 - 3:13:11 PM
Long-term archiving on: Monday, April 29, 2019 - 6:02:50 PM

File

TheseDahan2005.pdf
Files produced by the author(s)

Identifiers

  • HAL Id : tel-01996464, version 1

Collections

UPEC-UPEM | INFORMATIQUE-MUSICALE | LISAA

Citation

Kevin Dahan. Domaines formels et représentations dans la composition et l'analyse des musiques électroacoustiques : systèmes dynamiques dans la création musicale assistée par ordinateur. Musique, musicologie et arts de la scène. Université Paris 8 VINCENNES-SAINT-DENIS, 2005. Français. ⟨tel-01996464⟩

Export

BibTeX TEI DC DCterms EndNote

Share

Metrics

Record views

54

Files downloads

27

Contact

Informations

CCSD